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Pussy-Dipping Dolls
After the all-hottie girl group Pussycat Dolls concluded their concert, they went backstage for some wrapping up and celebrations and stuff. But the girls were still in the afterglow of the performance, and they suddenly noticed each others’ erotic bodies, which were a real turn-on. The next thing they knew, all of them were getting it all down and dirty! The girls spread their legs ands shared their pink pussies with each other! This is gonna be an epic girl pop group lesbian scene, as you’ll get them all here in our high-rest celebrity cartoon fuck galleries! These girls were more energetic in making each other spunk!
Sign up here at GogoCeleb for the full-length lesbian sensation.
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Blake Livelys Got Sweet Cleavage!
I know I know, another f@#king Blake Lively post but she and I are meant for each other so I don’t want her to think I’ve lost interest and besides, these are different. First of all there’s no Ben Douchefleck ruining the shots and it looks like her sweet ripe boobs are about to make a break for it. Sadly the ‘Gossip Girls’ wardrobe department works pretty well and doesn’t seem to have any shortage of two sided tape. Assholes. See More pics Now!!!
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Kate Beckinsale
Nudity Rating: 
MrSkin.com has:
13 Clips, 45 Pics
British beauty Kate Beckinsale slays all comers in her skintight leather catsuit in the blockbuster action-horror Underworld movies. She even flashes hot ass in Underworld: Evolution. But this athletic brunette knockout is always a raw turn-on, whether she’s busting out of a corset in Van Helsing or lesbian making out with another girl in Laurel Canyon.To see Kate Beckinsale nude, though, Mr Skin recommends the appropriately titled Uncovered, where she shows her gorgeous naked tits. The Pearl Harbor star is an all-natural dream come true, so don’t miss a single second of Kate at her sexiest…. >>> read more
See her full Review, Pics and Clips!!!
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All God’s Children Can Dance
In 2004, veteran Japanese director Jun Ichikawa took one of the best short stories in Murakami’s collection, Blind Willow, Sleeping Woman, and crafted a masterpiece of a film, perfectly capturing the themes of loneliness and isolation, with a great score, acting and cinematography. I strongly recommend it to everyone.How woeful it is then that newbie American director Robert Logevall, has taken, in my opinion, the worst story in Murakami’s collection, after the quake, and turned it into a dull, aimless film that manages to be both vacuous and pretentious. We follow Kengo (Jason Lew), a mixed race man, who has been told all his life that he is the Son of God by his vaguely disturbed mother (Joan Chen), as he negotiates his relationship with his girlfriend (Sonja Kinski) and boss (Tzi Ma). Kengo has lost his faith in God and his belief in his implied divinity. One day he sees a man he believes is his father. He follows him.It’s Jason Lew’s first role, so his falterings as a lead are understandable, but I found him irritating and smug as his character, and uncomfortable to watch. Sonja Kinski is decent in her first role, but really it’s Chen and Ma that give the only good performances in this film. The former with wonderful emotion, and the latter with remarkable subtlety and understatement. Both keep afloat a film that fails to explore any interesting themes it brings up (Oedipal complexes, religion), nor manages to deliver any interesting scenes whatsoever. The narration that aims high for philosophy but spews out drivel doesn’t help, neither does the over ambiguous ending that fails to capture the existentialism of the story and just seems stupid.It’s not all bad. There’s some nice cinematography, Chen and Ma’s performances are genuinely wonderful, and the soundtrack by STS9, is lovely. But this is an unremarkable film, with little to recommend, even to Murakami fans. Watch Tony Takitani instead, and hold your breath for the eventual Norwegian Wood adaptation.
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Role Models
Danny is in a rut with his life and hates his job as a promoter of a sugar/caffeine energy drink called minotaur, while his co-worker, Wheeler, loves it. However after being dumped by his girlfriend Danny crashes his minotaur truck into a school monument and he and Wheeler face the prospect of 30 days in jail or 150 hours of community service doing big-brother type work with disadvantaged youngsters. While Wheeler is landed with Ronny an obnoxious little 10 year old, Danny is landed with a dungeons and dragon playing geek called Augie. While neither of them hit it off with the kids at first they all eventually become and learn a lot of life lessons. Ahhhh!Now, you might think that from this semi-sarcastic tone I hated it, but oh contraire, far from. I admit I had low expectations of this film that were completely smashed by the scatter-gun humour of the film. The dialogue is funny and the sarcasm bitingly funny at times, as the top line suggests. Paul Rudd is perfect as the miserable Danny and Sean William Scott is perfectly cast as the free-living, but unfortunate Wheeler.The film manages to tread that fine line between clich ridden schmaltz (Like 27 dresses) and refreshingly enjoyable comedies (Like Something About Mary) with a deft touch, the direction is sure footed and manages to deliver a surprise ending that I would never have guessed from how it began.A laugh out loud comedy that exceeds expectations.
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Lily Allen Tanning Topless of the Day
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L’Idole
The Idol is an interesting mix that comes together into a phat film. An Australian director working in France for the first time (in French language) with two American lead actors (one of whom apparently didn’t speak any French when cast) and a script worked on by veteran scriptwriter Gerard Brach (Jean De Florette, The Name Of The Rose) could have been a mess but instead Samantha Lang has crafted a beautifully moving and delicate drama.Brief plot outline, no spoilers: The lives of the residents of a French apartment block are disrupted by the arrival of a young Australian woman (Sobieski), a struggling theatre actress. Her neighbour is an elderly Chinese man respected by the other residents, who is considering moving into a retirement community.The two are drawn together through their loneliness and a touching grandfather-granddaughter sort of relationship develops between them, reminiscent of that in Kieslowski’s Three Colours:Red.The triumph of the film is the performances of the two lead actors. James Hong, given the chance to shine in a rare lead role, tackles the character and the language with an expert pitch, embuing Mr Zao with an almost mystical quality. He is both a man you wish you knew and a tragic figure that you want to comfort and care for.Equally impressive is Sobieski displaying an acting talent that she has rarely demonstrated in her recent poor choices of role in generic American thrillers like The Glass House. At first all smouldering eyes and wry smiles she also grows over the course of the film into a sympathetic and tragic figure, allowing the audience to truly care what happens to both these characters and understand the deep core of loneliness that brings them together despite their differences.The supporting actors also flesh out strong characters. Veteran French actor Jean-Paul Roussillon provides humour as the drunken upstairs neighbour who must sneak cigarettes from Mr Zao so that his interfering wife doesn’t know he is smoking. While Marie Loboda as Caroline, a little girl who lives in the building (and bears a striking resemblance to Emmanuelle Beart) exudes innocence and charm. Both these characters also undergo changes as their jealousy of the relationship formed between Zao and Sarah (Sobieski) overcomes them.The only negative, and it is a small one, is that the score by Oscar winning composer Gabriel Yared (The English Patient, Betty Blue), while a lovely Woody-Allenesque jazz style, seems a little out of place with this film which often seems to be creating emotions that are in conflict to those the music suggests.The photography matches the story in its quiet mood and, along with the set design and locations adds a sense of loneliness to the film that draws you to the characters for comfort as well and therefore makes their lives all the more important to you. A particularly well played and haunting dream sequence will stay with you long after your first viewing of the film.I say first viewing because you will want to revisit these characters and return to see this expertly measured film all over again. A tender tale of loneliness and the gentle love that can exist between two people this is a must see for anybody who wants to be moved or appreciate fine acting and a delicate unrushed story. Truly wonderful film-making.
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