September 26th, 2009 by admin
Shirtless Soaphunks: Still Exploiting Brandon Beemer
Brandon Beemer is getting exploited yet again on “The Bold and the Beatiful”. He models on the big fashion runway contest shirtless, of course, with a big “Indulge” sign painted on his chest and his cougar leashing him around. Best of all was the fact that he was the only one without a shirt in the whole crowd! God, I wonder how Brandon feels about these scenes?!?
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August 19th, 2009 by admin
Casi Divas
Hello! First, let me say that thanks to Issa Lopez, Warner Brothers Pictures performed its first production in Mexico when they bought “Efectos Secundarios”. And I think that is something that we must recognize all Mexicans.Replying the previous comment, I think it is extremely illogical that Issa Lopez, has offended the Mexicans when she made “Casi Divas” and even more so with the fact that she is a woman and Mexican. Therefore, I don’t understand the aim from comments like…”So Issa ridicules the majority of women and paints as many people abroad think that Mexico is, a place of marginalized, uneducated, naive and corrupt and useless mentally.” The film industry in our country is in progress, the Mexican film has had great successes and recognition thanks to people like Issa Lopez, who has put the name of Mexico in the film industry.Casi Divas, it’s a comedy that shows us a very big reality. Yes, it is a reality. It’s a film, and like all movies, can’t be displayed exactly as things are, you have to bring a touch of humor, drama, surprise,etc. that otherwise, would be somewhat boring. And I should mention that this is the second production in Mexico at Columbia Pictures, another merit for Issa Lopez, who also participated in “Nias Mal”, which was the first production at Columbia Pictures in our country.Beyond being a comedy, Casi Divas gives us a glance or a reminder of what happens in Cd. Juarez with the endless killings of women, discrimination or living Indians of different ethnicities in our country, and why not, also the rejection suffered by people with different preferences or changes in their sexuality, corruption of the rich and powerful. Perhaps it isn’t something that we can feel proud, but it’s a reality that we live and we can see reflected in a film that has been wrote years ago and now it’s a dream come true from Issa Lopez.To me, this film is excellent and is not for ridicule anyone, and we didn’t see us like marginalized, uneducated, naive, corrupt and useless mentally. As previously mentioned.
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July 21st, 2009 by admin
The Notorious Bettie Page
First, let me say that Notorious is an absolutely charming film, very lovingly rendered of its time and subject(s). Gretchen Mol is utterly, painfully convincing, the very soul of the contradictions smoothly reified by Ms. Page herself. Irving and Paula Klaw are richly drawn as the working-class stiffs they were (having met Paula at Movie Star News in 1990 I can say that Lili Taylor’s performance is unimpeachable), and Jared Harris as John Willie (Coutts) is an adoringly debauched genius. Anyone with an interest in the recorded history of American attitudes toward sexuality must see this movie, in a theater preferably, where votes made with dollars count more.Second, I will allow that I am a producer of material similar to that for which the Klaws would become famous, which is no way affects my estimation of Ms. Harron’s work as the splendid piece that it is, but does condition my view of Notorious as an act of political resistance of the first order. Ms. Harron has crafted a work of subtle subversion. Along with V for Vendetta, it is a movie about another time for our times.Few readers of this site will be aware that the government they will see enacted in Notorious (through transcription of the very words uttered in closed Senate committee hearings) is a very close approximation of the one they live under right now. While Ms. Harron expressly disallows that she has a political agenda appended to this film, her faithfulness to the facts, and the respectful and unsensational way in which she renders them, synchronizes Notorious with the present day. The very acts that Notorious portrays in loving and accurate detail are defined as obscene by the Communications Decency Act, recently brought to the Supreme Court as a First Amendment case and turned back there at the behest of the Bush administration. In other words, the delicate and ineffectual bondage depicted in Notorious is indictable today by Federal prosecutors in whatever (hostile) jurisdiction they choose. Of course, there were no hearings in the Senate or elsewhere on this matter when the CDA was passed. Of course you know nothing about it, because you don’t want people in Peoria telling you what you can and cannot look at (likewise, people in Peoria probably don’t want me telling them what they’re allowed to view). Of course Notorious will never be indicted. It’s Hollywood. It’s lawyered up. Countless Klaws will, however, continue to be steamrolled by a puritanical bureaucracy that has not advanced its aesthetic, moral or biological composition much in 50+ years.In addition, Notorious posts no 18 USC 2257 compliance statement, which is mandated by the unnoticed “earmark” recently voted into law. If any media contains images of “sadomasochistic restraint” it is required to make available (ex warrant) records of age and circumstance of all performers. Notorious fails in this regard also.In addition to being a splendid piece of entertainment and an (nearly) accurate historical document, Notorious will be the litmus against which the Bush Justice Department is itself judged with respect to the 14th (Equal Protection) Amendment and on perhaps several other Constitutional grounds. In this regard alone, a debt of gratitude is owed Mary Harron. You’ll be grateful in any case, Constitutional or otherwise, if you see this film.
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