Saturday, March 13th, 2010
Pamela Anderson
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Iconic light-haired bombshell Pamela Anderson’s bit boobs, perfect ass, and hot pussy conquered the world via Baywatch, Playboy, and her famous hardcore suck-and-fuck home porn video with Tommy Lee. Mr Skin has covered every inch of Pamela Anderson naked, all the way.Aside from her Pamela Anderson Playboy videos, this huge-boobed goddess bares her legendary body in Barb Wire, Scary Movie 3 (with Jenny McCarthy), her own Comedy Central Roast, and sex flicks like Naked Souls, Snapdragon, and Raw Justice. Pamela even busts out her bald pussy on The Girls Next Door…. >>> read more
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Friday, March 12th, 2010
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Monday, March 1st, 2010
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Tuesday, February 9th, 2010
Megan Fox is a Bisexual Photos
Megan Fox is Bi, as in, she likes to have bang with girls. How do we know, well she said so in her interview with Esquire magazine and there was no doubt left behind, can this girl get any hotter that what she already is? Megan Fox said: “I think people are born bisexual and they make subconscious choices based on the pressures of society. I have no question in my mind about being bisexual. But I’m also a hypocrite. I would never date a girl who was bisexual, because that means they also sleep with men, and men are so dirty that I’d never want to sleep with a girl who had slept with a fellow.”None of that actually makes any sense, but at least she admits it, if you are having a hard time getting all of this info after we told you that Megan Fox is bisexual, it probably means that you are having a lot of fun with the mental images. See More Photos Now!!
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Monday, December 14th, 2009
Alyssa Milano
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28 Pics, 148 Clips
Alyssa Milano played Tony Danza’s daughter on the TV series Who’s the Boss?, teaching viewers the joys of watching a young girl develop, buy a bra to handle her blossoming charms, and then lose her virginity. When the show was cancelled, Alyssa lost the bra, and her huge talent spilled… >>> read more
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Thursday, December 10th, 2009
Naked on the Inside
There are two versions of this documentary available - one with six subjects (the feature version), and the television version that I watched, which has five. The subjects have been carefully selected, each having a different issue with their own self-image of their body. Traditionally structured as an edited series of talking heads, we gradually build up a picture of each of Farrant’s subjects. Once a British postman, now a dancer, Dave Toole has no legs, and a nice line in self-deprecating humour. His relationship with his mother is delightfully dry and honest as the film explores his search for a girlfriend. Rick Stray, a young wife and mother from the Sunshine Coast believes her dishonesty in having an affair has led to her body’s production of cancer. We follow her no-holds-barred discussion of her cancer and the effect of its treatment on her body and image of herself. Meanwhile in Taipei, Marcus Van is a woman, “passing” as a man, teaching Sunday School. Shirley Sheffield is an American fat activist and founding member of The Padded Lilies, a synchronised swimming troupe of larger women. And model Carre Otis, discusses her own struggle with weight and the fashion industry’s sexualisation of the female body.As with all documentaries in this style, some of the subjects are far more interesting than others. It all depends on how frankly they are prepared to answer the unseen interviewer’s questions. Also central to such a documentary’s success is what we might think of as the “star” quality of the players. Do they grab our attention as they talk into the camera? Here Farrant has employed an interesting technique in what is called the “self-portraits”. Each subject is left alone in a room with the camera and invited to strip down to their bare essentials while venting their own feelings about their body. For me, the effect of this was twofold. It was at once extremely intimate, yet also strangely contrived. I wondered about the connection the director was inviting us (and the subjects) to make between literal nakedness and an emotional baring of the soul. Does it necessarily follow that just because the body is without clothes and ornamentation that some inner truth will spring forth from that body, clearly articulating an epiphany about contemporary body image. For me, this technique also raised other questions about the camera as voyeur and at what point nudity on film becomes gratuitous, rather than informing the arc of the narrative. Perhaps this viewing discomfort was the point the documentary was trying to make, but for me it didn’t really enhance the film’s effect.The problem here was perhaps also one of identification. In her choice of subjects, Farrant has tried very hard to choose unusual stories, but in some cases they are so unusual that the everyday viewer is left with no foothold with which they might enter into these stories and find a point of connection. Arguably this is the difference between a good documentary and great one. At the end of Naked on the Inside, I had an interesting picture of the five subjects. I was less sure I had gained any new insights about the contemporary culture of the body.
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Sunday, December 6th, 2009
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Thursday, December 3rd, 2009
Lindsay Lohan Looking Sexy in Skanky Boots
Here are some sexy photos of Lindsay Lohan after her birthday party, which was rumored to have been a money grab, but regardless she looks really hot here. She’s got on these sexy boots that only a girl begging to get fucked would be wearing, and to top it off she has this nice tan going on. It must be from her brand of tanning product or whatever she was repping at this so called birthday party. Why do I care though, she is begging for a rock hard cock. Get the most out of your need for the hottest celebrity porn at the number one site for it, Celeb Heat.
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Wednesday, December 2nd, 2009
Amanda Bynes
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5 Pics, 25 Clips
Wasn’t Amanda Bynes cute back when she starred on the Nickelodeon sketch series All That? Actually, we prefer to pick up Amanda’s career safely after the millennium, as she headed into adulthood while being subtly erotic in What a Girl Wants (2003). That video made her a leading lady just… >>> read more
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Saturday, November 21st, 2009
Parasomnia
I was privileged last night to attend a screening of a new film entitled PARASOMNIA written and directed by WILLIAM MALONE (House on Haunted Hill-1999, FeardotCom-2002, Masters of Horror-”Fair Haired Child). PARASOMNIA is part of Screamfest 2008, the annual horror film festival, but this film spans more than just the horror genre. It is somewhat outside the horror box in that it is more of a dark, twisted, nightmare of a fairy tale almost creating its own visually exciting genre.The story tells of DANNY (DYLAN PURCELL) a young man who becomes fascinated with a modern Sleeping Beauty in LAURA BAXTER (portrayed by the delightful and charming newcomer CHERLIN Wilson) who suffers from Parasomnia or the Sleeping Beauty syndrome, which causes her to sleep more often than wake. He comes across her in the psyche ward of a hospital while visiting his artist friend BILLY (DOV TIEFENBACH) incarcerated there on a court forced rehab.Like any good ghost or horror story Billy tells Danny about the girl and the insane serial killer held in the padded cell next to her, one BYRON VOLPE (wonderfully played by veteran bad guy PATRICK KILPATRICK). Volpe, a rare book dealer and mesmerist, used his unnerving mental powers to control his victims, especially his ex-wife (a much too brief cameo by SEAN YOUNG) to commit suicide or murder.Somehow Volpe has the ability to enter Laura’s dreams, tormenting her in a bizarre dream world (A place worthy of Guillermo Del Toro) he controls. Danny realizes he met Laura when they were both children and his fascination with her turns to love. Upon learning she is going to be transferred to the custody of DR. EGON BHYLE (LOUIS GRAHAM) and his questionable sleep disorder clinic for experiments, Danny plots to rescue Laura from her lab-rat fate.Not realizing Volpe considers the helpless girl his possession, Danny successfully absconds with Laura, taking her to his artist’s apartment. Along the way, the girl awakes in Danny’s car and unaccustomed to finding herself outside the hospital, freaks out a little. When Danny pulls over to calm her, Laura is out of the car diving head long into the glistening grass. Wilson pulls this scene off with an innocent charm without it descending into camp as she falls back asleep, face in the grass.Once at Danny’s apartment, he cleans her up in a scene that in another’s hands could have come off as salacious with it’s partial nudity. To Malone’s and his actor’s credit, this scene plays with an innocent tenderness and charm. In an ensuing sequence Danny takes Laura out to an ice cream parlor which turns into a comic exploration of strawberry ice cream, again charmingly played by Wilson.Then things get dark as Volpe’s power over Laura invades her dreams. Danny awakes to find Laura, clad in a cheerleader’s outfit stolen from his neighbor, covered in blood and wielding a butcher knife under Vople’s mental control as she tries to kill Danny. He manages to ward off her attack, only to discover his neighbor’s mutilated body.Enter the police: DET. GARRETT (Cult fan favorite JEFFERY COMBS) and his partner DET. CONROY (veteran character actor JEFF DOUCETTE) who have already been to the hospital investigating Laura’s abduction and getting the low down on Volpe. As Danny frantically tries to hide Laura from Doucette, she; again under Volpe’s control; frees herself from Danny’s restraints and disembowels Doucette in a very graphic scene that will keep the slasher fans more than happy.Since I won’t give away the ending, I will say that Volpe escapes the hospital in another graphic blood bath to track down Laura and Danny. The film culminates with one of the most inventive, innovative, and visually intriguing sequences involving clockwork automatons; the art work of Danny’s friend Billy: and the best use of Serge Prokofiev’s Romeo and Juliet Ballet Overture.Wonderfully shot by Christian SEABADLT and ENZO GIOBBE and lit in an almost noir style there is enough gore for today’s modern, hardcore horror fans, yet PARASOMNIA is so much more. Malone’s script is intelligent and he understands all too well that Cinema is a visual medium. In an era where most film and television scripts are still written like radio scripts where the actors describe the action you are seeing on the screen. Malone lets the image tell the story. The characters speak like real people speak. It is economic in its dialog.And in creating Byron Vople, Malone and Kilpatrick have presented one of the most literate and intelligent villains since Hannibal Lector, a refreshing twist after a dearth of mindless blood thirsty slasher villains.PARASOMNIA succeeds on many levels: cinematically; mood; characterization; and visual style. The dreamscapes are stunningly beautiful and jarring at the same time. The subliminal cuts are spooky. The over all creepiness of the film is balanced with the innocence of Dylan Purcell and Cherilan Wilson’s portrayals. And Wilson is quite a find. She shines in the scenes of Laura rediscovering the world, then seamlessly transitions into a vicious killer under Volpe’s control and back to the somnambulistic Laura. Also look for an amusing cameo by director JOHN LANDIS.PARASOMNIA is such an unusual and entertaining film, it stands on its own. Whether it gets a theatrical release or goes straight to DVD, don’t miss this one.
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